Monday, March 30, 2015
Tuesday, March 24, 2015
Call for Papers: Popular Romance
2015 Midwest Popular Culture Association/American Culture Association Conference
Thursday-Sunday, October 1-4, 2015
Hilton Netherland Plaza
Deadline for submission: 30 April 2015.
Love and romance are pervasive elements in popular culture, showing up in film, television, fiction, manga, advertising, advice columns, pop songs, and more. We are interested in any and all topics about or related to popular romance and its representations in popular culture (fiction, stage, screen—large or small, commercial, advertising, music, song, dance, online, real life, etc.)
Topics can include, but are not limited to:
• critical approaches, such as readings informed by critical race theory, queer theory, postcolonial studies, or empirical science
• depictions in the media and popular culture (e.g., film, television, literature, comics)
• literature and fiction (genre romance, poetry, animé)
• types of relationships (marriage, gay and lesbian)
• historical practices and traditions of and in romance
• regional and geographic pressures and influences (southern, Caribbean)
• material culture (valentines, foods, fashions)
• folklore and mythologies
• jokes and humor
• romantic love in political discourse (capitalism)
• psychological approaches toward romantic attraction
• emotional and sexual desire
• subcultures: age (seniors, adolescents), multi-ethnic, inter-racial
• individual creative producers or texts of popular romance
• gender-bending and gender-crossing
Submit a one-page (200-250 words) proposal or abstract by 30 April 2015 to the Popular Romance area on the MPCA/ACA website. Please include name, affiliation, and e-mail address with your abstract. MPCA/ACA can provide an LCD projector for presentations, but it must be requested with your proposal. If necessary, indicate and submit potential scheduling conflicts along with your proposal. If you wish your presentation to be listed as MACA (rather than MPCA), please include this request with your proposal.
More conference information can be found at http://www.mpcaaca.org
For further inquiries or concerns, please contact Popular Romance Area Chair, Maryan Wherry, firstname.lastname@example.org
Friday, March 20, 2015
I have no idea how I missed reading this at the time it came out (though it's been listed on the Romance Wiki for some time) but I'm glad I came across it in the course of my current research because it's a fascinating essay which complements other romance scholars' work on disability, race and sexuality in romance fiction.
Zeiger argues that
The emergence of this subgenre reflects a shift in what is acceptable to say about breast cancer, and the novels contribute to breast cancer’s status as something to talk about rather than hide. [...] I am interested in the way romances record a transitional moment in lifting taboos on breast cancer as a topic of discussion. During the 1980s, virtually no mention of breast cancer, let alone women of color or lesbianism, occurred inside the mainstream discourse of romance. (108)She demonstrates that romance novels, so often scorned for their predictability and their supposed social conformity, do important cultural work in this area:
Given the futility, and worse, of so much public breast cancer discourse, it seems like a good idea to find as many supplementary sites of discourse as possible. Breast cancer romance takes a problematic genre and uses it to say some things that the culture does not always want to hear. Romance characters are allowed a leeway unknown in what critics have come to call “pink culture”; when despairing, bitter, or just angry, when wildly mourning their breasts, or when disappearing from society to nurse their wounds, they are treated with warm sympathy. This space for feeling has produced a new reading community and is at least one of the major ways that stereotypical romance has been and continues to be rewritten. Such innovations are not trivial or quietist. (109)Among the novels mentioned are:
Kathleen Eagle’s The Last Good Man (2000), Michelle Douglas’s The Man Who Saw Her Beauty (2012), Marilyn Pappano’s The Trouble with Josh (2003), and [Donna] Alward’s How a Cowboy Stole Her Heart ; the African American romances Crown and Glory (2011) by Denise Jeffries and No Regrets (2002) by Patricia Haley; and Susan Gabriel’s lesbian romance Seeking Sara Summers (2008). The ambiguous politics of these works evokes complex questions regarding the relation of breast cancer to sociocultural status, constructions of femininity, and popular literary representation. (111)
- Zeiger, Melissa F., 2013/14.
- "'Less Than Perfect': Negotiating Breast Cancer in Popular Romance Novels." Tulsa Studies In Women's Literature 32.2/33.1: 107-128. [Abstract]
Monday, March 02, 2015
Jodi McAlister is
very pleased to announce that Popular Romance Studies is a new area at the Popular Culture Association of Australia and New Zealand conference this year. I'm the Area Chair, and while the CFP has already closed, I've arranged an extension of a few weeks for romance scholars until April 15.
I'd love for the Romance area to make a really dynamic and fascinating debut, so I'd appreciate it if you could circulate this [...] CFP to anyone you think might be interested:
6th Annual International Conference
June 29-July 1, 2015
Massey University Campus
Wellington, New Zealand
Wellington, New Zealand
CALL FOR PAPERS
Popular Romance Deadline for abstracts: April 15, 2015
The Popular Culture Association of Australia and New Zealand (PopCAANZ) is devoted to the scholarly understanding of everyday cultures. It is concerned with the study of the social practices and the cultural meanings that are produced and are circulated through the processes and practices of everyday life. As a product of consumption, an intellectual object of inquiry, and as an integral component of the dynamic forces that shape societies.
We invite academics, professionals, cultural practitioners and those with a scholarly interest in popular culture, to send a 150 word abstract and 100 word bio to Jodi McAlister, Chair of Popular Romance for PopCAANZ: email@example.com